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Hash It Out

by Rocky Sullivan, Psy.D.

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1.
By a lonely prison wall, I heard a young girl calling Michael they are taking you away, For you stole Trevelyan's corn, So the young might see the morn, Now a prison ship lies waiting in the bay. CHORUS: Low lie, the Fields of Athenry, Where once we watched the small free birds fly, (YEAH, BABY! LET THE FREE BIRDS FLY!) Our love was on the wing, We had dreams and songs to sing, Its so lonely round the Fields of Athenry. By a lonely prison wall, I heard a young man calling, "Nothing matters Mary, when you're free, Against the famine and the crown, I rebelled, they cut me down, Now you must raise our child with dignity." CHORUS By a lonely harbour wall, She watched the last star falling, As the prison ship sailed out against the sky, Now she'll live in hope and pray, For her love in Botney Bay , Its so lonely round the Fields Of Athenry. CHORUS
2.
Just give me your hand, is Tabhair dom do lámh. Just give me your hand and I'll walk with you, Through the streets of our land, through the mountains so grand. Just give me your hand. Just give me your hand and come along with me. Just give me your hand and the world it can see, That we can be free, in peace and harmony, From the north to the south, from the east to the west. Every mountain, every valley, Every bush and birds nest. By day and night, through the struggle and strife, I’m beside you, to guide you, Forever, my love, for love's not for one, But for both us to share. For our country so fair, For our world and what's there. Just give me your hand, is Tabhair dom do lámh. Just give me your hand, for the world it is ours. All the sea and the land, to destroy or command. Just give me your hand. Just give me your hand in a gesture of peace. Just give me your hand and all troubles will cease, For the strong and the weak, for the rich and the poor, All the peoples and creeds, let's meet their needs. With a passion, we can fashion, a new world of love. By day and night, through the struggle and strife, I’m beside you, to guide you, Forever, my love, for love's not for one, But for both us to share. For our country so fair, For our world and what's there.
3.
God may have made the world, but I’d be remiss to think he had a hand in Scranton. Don’t get me wrong — the beer is cheap, the nights are long, so it’s not I don’t love it, too, but I’m a worse person than you; at the behest of Peter Pan — says he won’t grow to be a man (once I ordered a coke, and they thought I was joking). Abandon all hope ye who are visiting Scranton, It’s like the island — you won’t get out alive. I did abysmal things when I visited Scranton, It’s a Dementor — it drains your soul and sucks out all the good in you; what you should do is that which I just couldn’t do. Hope you pardon my rantin’ (while I’m face-plantin’) I think I’m gonna need my camper’s Dilantin, In Scranton. If you like bars, well they got two. Do anything you wanna do, I said I’d refrain, but that’s a lie. Now I’ll wear purple ‘til I die. Abandon all hope ye who are visiting Scranton, It’s like the island — you won’t get out alive. I did abysmal things when I visited Scranton, It’s a Dementor — it drains your soul and sucks out all the good in you; what you should do is that which I just couldn’t do.
4.
As handsome a kid as I ever did see, A man of few words, I was told, With his guts made of paper, In his blood, Italy, A hillbilly heart made of gold. You got sauce in your eyebrows, Your shoes are untied, And closing your eyelids, Is no way to hide, But you kept it together, We were beaming with pride, When God lived in Oceanside. Gonna go for a ride, but I hate when you sulk, I ask you to hop in the car, But then your alter ego, The Incredible Hulk, Showed up so we didn’t get far. But despite your aggressions, Which I hope subside, Your slight indiscretions, I‘ve learned to abide, You said you lived in heaven, Which I rightly denied, And God lives in Oceanside.
5.
6.
Galway Girl 02:18
7.
Dink's Song 02:25

about

For a fella that never set out to have a career in music, I really stepped in it. I got to play shows with my some of my favorite bands, but more importantly, I got to play songs with some of my favorite people. Around 2010, in the thicc of grad school, I started drifting away from music, but my friends always left the door open for me.

In January 2018, Tom Malinowski recorded my bosom buddy and co-conspirator Max Polevault playing drums over some shoddy demos I recorded years prior. They spent all day doing so, and fulfilled all aspects of their responsibilities deftly and adroitly. I sat around and did nothing with the tracks for 2+ years.

When the COVID-19 pandemic hit in the spring of 2020, I started working from home (very fortunately), and my dear friends John DeDomenici, Jimmy Doyle, and the aforementioned Tom agreed to help me build upon Max’s drum tracks and put together a record, which is something the original Rocky Sullivans (2007 — 2010) were never able to pull off. My fault entirely, mind you. Poor executive functioning at the time.

credits

released October 30, 2020

Mick Babe — Vocals, Electric mandolin, Tenor banjo, Trombone.
John DeDomenici — Bass, Baritone guitar, Electric guitar on 3, Piano on 4.
Jimmy Doyle — Electric and Acoustic guitars, Chord organ, Album cover.
Tom Malinowski — Electric guitar on 5.
Max Polevault — Drums!
Jeff Rosenstock — Vocals on 1.
Laura Stevenson — Vocals on 6.

Engineered and Produced by Tom Malinowski (He’s VERY good).

Mastered by Joel Hatstat (which is to say, Dominated by La$er P. Dollar$).

Please, note well, the deepest gratitude I have for the friends that took the time to play on this jernt — Max, John, Jimmy, Jeff, and Laura; for Tom Malinowski — a beautiful and talented bird and man — for patiently and painstakingly guiding me through this process, and for polishing it up all the way through. A fine, feathered friend indeed. And of course, Joel Hatstat — for putting the final touches on this wild little project. All a y’all made me sound way, way better than I deserve to sound. And Erica Clayton! Who helped me get it out there, and who plays a mean keytar.

I’d also be remiss if I didn’t thank my beloved wife Kelly for getting me a great deal of recording equipments and obscure instruments, and for keeping the kids quietly entertained while I snuck away to noodle on a mandolin or scream into a microphone in a blanket-muffled corner of the basement. And for keeping me sane and safe during my first global pandemic.

And thank you for listening, and for letting me hash it out after all these years.

— Mick Babe, Psy.D.

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Rocky Sullivan, Psy.D. Oceanside, New York

With a head full of limericks and a belly full of potatoes, Mick Babe conscripted members of Bomb the Music Industry! and The Fad into The Rocky Sullivans, and they played Hibernian music stupidly fast and unnecessarily loud. Rocky Sullivan, Psy.D. is the band’s readeption. ... more

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